Portrait of Renée Perle – sold

reneescan

Oil on canvas, 10″x8″

This is a portrait of Renée Perle, inspired by a black and white photo taken by Jacques-Henri Lartigue in 1930. She was an early muse of his and possibly something of an obsession during their two year affair. Renée Perle was a model for the couturier Doeuillet at the time of their meeting, remarkable for her exotic beauty and avant-garde style which looks fresh even today. I wanted to give bold color to that sun-soaked, carefree era in the Riviera and capture something of this lovely woman’s unique charm so I portrayed her deeply tanned in white and linen against a teal-tinged wall of Mediterranean Blue.

Prints of this painting are available here

 

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Young Man with Blue Eyes – sold

mattscan (3)

Oil on canvas, 10″x8″

This is a portrait study of a beautiful dark haired man with pale skin and vivid blue eyes. He’s got a timeless, arresting look about him. I played up the high contrast in his coloring and captured the shimmering quality of the skin highlights. I kept the edges sharp and surrounded him with the color of cool air, the palest yellow-tinged turquoise. The effect is intensely lifelike and rather mesmerizing.

I’m always trying to achieve a certain realism in my paintings while also creating a sense of mood and an inner life. This painting really got there for me, like having someone fascinating in the room and I was happy that others felt that energy too. I was excited that it sold quickly but sad to see him go at the same time.

Portrait Study of a Young Woman – sold

vanessacam (2)

Oil on canvas, 12″x9″

In this study I wanted to work on a classic portrait while exploring cool skin tones and looser brushwork. I also wanted to change things up a bit from my more stylized portraits based on black and white photos of ladies from long ago. I found some lovely violets and blues in this portrait of a beautiful dark haired girl with almost translucent skin. The result is a contemporary realist portrait with a lively surface quality and casual elegance.

When I look at my work in retrospect I realize that I favor painting faces and figures but I don’t always have the most consistent style. This is considered a bad thing in the art world but I draw upon different inspirations and get bored painting the same way over and over. It would be nice to have a distinct and recognizable look. I’m hopeful a strong visual identity will emerge in time even if I don’t exactly know how that happens.

Persephone – sold

persephone (2)

Oil on canvas, 12″x9″

I was thinking of Persephone, the goddess of spring when I painted this. Winter is only just beginning here, the trees are bare but I’m already dreaming of fresh unfurling leaves and tender budding flowers. There’s something both old-fashioned and modern about this portrait, hints of flower-crowned festival girls, June brides and Pre-Raphaelite beauties.

Man Sleeping – sold

sleeperadjOil on Canvas, 10″x8″

This painting is a study in serenity and light movement. I wanted to explore cool flesh tones with soft light and edges. There’s something very calming about a sleeping figure and this is highlighted by the quiet shades of blue throughout. I’ve seen many paintings with sleeping female nudes but I wanted to feature a man instead. It’s an unusual context that gives a vulnerable and tender aspect to the masculine form.

Upon reflection I think that’s what I wanted to capture. That moment of peace. There is no guile or malice in a man asleep. He is free of his conscious torments, childlike and pure. Sleep is a wonderful thing that I rarely get enough of and I like to celebrate these simple, precious things in life.

Blue Moon – sold

 

bluemoon

Oil on canvas, 10″x8″

This painting was inspired by loss and memories, grief and ultimately joy. It’s a portrait of fragility and strength. In studying faces I have found that there is an odd power in openness and vulnerability. It can connect us to the essence of our humanity.

 

Reclining Nude in Bed – sold

nudeinbed

oil on canvasboard, 5″x7″

This figure study captures the direction and movement of morning light on a reclining nude. I don’t normally crop figures this way but I like how it emphasizes the angles and shapes. I also enjoyed observing the light and shadows both on the figure and in the light and dark areas of the bed and background. I like how it turned out. I think the closer focus on the figure allows for more detail at the same time it creates bolder shapes which gives this small painting great presence.