Portrait Study of a Young Woman – sold

vanessacam (2)

Oil on canvas, 12″x9″

In this study I wanted to work on a classic portrait while exploring cool skin tones and looser brushwork. I also wanted to change things up a bit from my more stylized portraits based on black and white photos of ladies from long ago. I found some lovely violets and blues in this portrait of a beautiful dark haired girl with almost translucent skin. The result is a contemporary realist portrait with a lively surface quality and casual elegance.

When I look at my work in retrospect I realize that I favor painting faces and figures but I don’t always have the most consistent style. This is considered a bad thing in the art world but I draw upon different inspirations and get bored painting the same way over and over. It would be nice to have a distinct and recognizable look. I’m hopeful a strong visual identity will emerge in time even if I don’t exactly know how that happens.

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Persephone – sold

persephone (2)

Oil on canvas, 12″x9″

I was thinking of Persephone, the goddess of spring when I painted this. Winter is only just beginning here, the trees are bare but I’m already dreaming of fresh unfurling leaves and tender budding flowers. There’s something both old-fashioned and modern about this portrait, hints of flower-crowned festival girls, June brides and Pre-Raphaelite beauties.

Blue Moon – sold

 

bluemoon

Oil on canvas, 10″x8″

This painting was inspired by loss and memories, grief and ultimately joy. It’s a portrait of fragility and strength. In studying faces I have found that there is an odd power in openness and vulnerability. It can connect us to the essence of our humanity.

 

Flapper in a Cloche Hat – sold

browncloche

Oil on hardboard panel, 8″x6″

There is a certain intensity to this girl. She’s a bit fierce. This may be a result of the slickness of the board surface that results in the paint strokes keeping a certain edge. This makes for a bold look that’s a bit different from my work on canvas. I’m not sure I have complete control of the paint on this surface yet but I like some of the accidental results.

Flappers tended to be dramatic. They were in rebellion against traditional rules of modesty for women, wore a lot of makeup and clothing that scandalized the polite society of their era…this is why I find them to be a fascinating subject for paintings.

Sargent Study: Olimpio Fusco – sold

 

Olimpio Fusco

Oil on Gallery Wrap Canvas, 10″x8″

I believe in learning from the best and John Singer Sargent is one of the great masters of portrait and figurative work. This is a study with a twist; the original portrait was a drawing but I used oil on canvas based on what I imagined a Sargent oil study of this model would look like. A fun exercise and it really made me think about Sargent’s flesh palette and brushwork.